- Giovanni Kronenberg
Solo show
Renata Fabbri arte contemporanea is delighted to start the new season with the solo show by Giovanni Kronenberg, who is presenting a series of new artworks specifically conceived and realized for the exhibition.
The exhibition mainly collects sculptures and drawings, pointing out the typical peculiarities that the artist has been carrying on for years: artifacts or rare, precious natural finds – the artist likes to literally define them as “not consumed from the gazes” – that are often collector’s items, on which he contributes with insertions and little transformation that put different ages, usually not connected one’s another, in contact. Through actions like twisting, blockage, replacement, overlapping – but also, on the contrary, by temporarily and ephemeral interventions.
The construction of combinatory grammar underpins Kronenberg’s work, a language that acts on the slow sedimentation of the evocative quality inherent in objects and on the subsequent alteration of those ones through forms of intrusion.
The habit of laying most of his works down on the floor, avoiding any kind of supports or stands, represents a very distinctive artist’s characteristic, which enables the objects to live the space freely.
Giovanni Kronenberg was born in 1974 in Milan, where he lives and works.
A special thanks to z2o Sara Zanin Gallery, Rome.
Renata Fabbri arte contemporanea is delighted to start the new season with the solo show by Giovanni Kronenberg, who is presenting a series of new artworks specifically conceived and realized for the exhibition.
The exhibition mainly collects sculptures and drawings, pointing out the typical peculiarities that the artist has been carrying on for years: artifacts or rare, precious natural finds – the artist likes to literally define them as “not consumed from the gazes” – that are often collector’s items, on which he contributes with insertions and little transformation that put different ages, usually not connected one’s another, in contact. Through actions like twisting, blockage, replacement, overlapping – but also, on the contrary, by temporarily and ephemeral interventions.
The construction of combinatory grammar underpins Kronenberg’s work, a language that acts on the slow sedimentation of the evocative quality inherent in objects and on the subsequent alteration of those ones through forms of intrusion.
The habit of laying most of his works down on the floor, avoiding any kind of supports or stands, represents a very distinctive artist’s characteristic, which enables the objects to live the space freely.
Giovanni Kronenberg was born in 1974 in Milan, where he lives and works.
A special thanks to z2o Sara Zanin Gallery, Rome.
- Giovanni Kronenberg, Untitled, 2017Amethyst, rock crystal, 71x30x10 cm. Ph. Emanuele Bianchi.
- Giovanni Kronenberg, Untitled, 2017Rooster back, elastics, 23x8x5 cm. Ph. Emanuele Bianchi.
- Giovanni Kronenberg, The Republic of Immortals, 2017Wooden mannequin, fat, 78x20x20 cm. Ph. Emanuele Bianchi.
- Giovanni Kronenberg, Untitled, 2017Ostrich egg, cement, 11,5x14x12 cm. Ph. Emanuele Bianchi.
- Giovanni Kronenberg, Untitled, 2017Colored pencils on paper, 103x73 cm. Ph. Emanuele Bianchi.
- Giovanni Kronenberg, Empirical Conversation of a Silence into an Alphabet, 2017Desert rose, powder cobalt pigment, 80x30x57 cm. Ph. Emanuele Bianchi.
- Giovanni Kronenberg, Untitled, 2017Rooster's back, elastics, 20x13x6 cm. Ph. Emanuele Bianchi.
- Giovanni Kronenberg, Untitled, 2017Black graphite, yellow graphite, white paper, 103×73 cm. Ph. Emanuele Bianchi


- Giovanni Kronenberg

- Giovanni Kronenberg
Curated by Vincenzo de Bellis and Alessandro Rabottini

- Giovanni Kronenberg

- Sophie Ko,
- Giovanni Kronenberg
April 1-3, 2022
Established
Pav. 3 – Booth B07

- Giovanni Kronenberg,
- Margherita Moscardini,
- Serena Vestrucci
November 5 – 7, 2021
Main Section
Corridor Dark Blue 9