Florian Roithmayr
Florian Roithmayr (Germany, 1976) works with sculpture to generate and trace material transformations in the processes of making. The ambition in his work is to register the consequences of one surface or material yielding another through capturing the unexpected gestures that occur in the gap between mould and cast.
His work has been presented in numerous solo shows across galleries and institutions including The Museum of Classical Archaeology, Cambridge (2018); Bloomberg Space, London (2017); Camden Arts Centre, London (2015); MOT International, Brussels (2015); Site Gallery, Sheffield (2014); Treignac Project, Treignac, France (2013); Rowing Projects, London (2013). He also participated in several other exhibitions at Saatchi Gallery, London (2018); German Embassy, London (2017); CCA Derry/Londonderry, Northern Ireland (2016); Royal Academy of Art, London (2016); British School in Rome (2015); Wysing Art Center, Cambridge (2014); Zabludowicz Collection, London (2012), Galleria d’Arte Moderna, Turin (2009).
Florian Roithmayr (Germany, 1976) works with sculpture to generate and trace material transformations in the processes of making. The ambition in his work is to register the consequences of one surface or material yielding another through capturing the unexpected gestures that occur in the gap between mould and cast.
His work has been presented in numerous solo shows across galleries and institutions including The Museum of Classical Archaeology, Cambridge (2018); Bloomberg Space, London (2017); Camden Arts Centre, London (2015); MOT International, Brussels (2015); Site Gallery, Sheffield (2014); Treignac Project, Treignac, France (2013); Rowing Projects, London (2013). He also participated in several other exhibitions at Saatchi Gallery, London (2018); German Embassy, London (2017); CCA Derry/Londonderry, Northern Ireland (2016); Royal Academy of Art, London (2016); British School in Rome (2015); Wysing Art Center, Cambridge (2014); Zabludowicz Collection, London (2012), Galleria d’Arte Moderna, Turin (2009).
Florian Roithmayr, Forma n.14, 2018Alabaster plaster, pigment, 40x38x21 cm
Florian Roithmayr, Forma n.13, 2018Alabaster plaster, pigment, 30x41x21 cm
Florian Roithmayr, Forma n.12, 2018Alabaster plaster, pigment, 40x36x21cm
Florian Roithmayr, Forma n.11, 2018Alabaster plaster, pigment, 31x33x21 cm
Florian Roithmayr, Forma n.10, 2018Alabaster plaster, pigment, 32x36x21 cm
Florian Roithmayr, Forma n.9, 2018Alabaster plaster, pigment, 36x36x21 cm
Florian Roithmayr, Forma n.15, 2018Plaster, pigments, 32x32x84 cm
Florian Roithmayr, these here withins, 2018Plaster, variable dimensions
Florian Roithmayr, These here withins, 2018Plaster, variable dimensions
Florian Roithmayr, Pistacchio, 2018Alabaster plaster, pigment, 31x16x5 cm
Florian Roithmayr, these here withins, 2018Installation view at Renata Fabbri, Milan
Florian Roithmayr, these here withins, 2018Only edition, screen printing, 60x70 cm
- Florian Roithmayr
- T-Yong Chung,
- Andrea Martinucci,
- Florian Roithmayr
Oct 11-13, 2019
Pav. 12 – Booth SC7
- Giovanni Kronenberg,
- Florian Roithmayr
Apr 5-7, 2019
Established Contemporary
Pav. 3 – Gate 5 – Booth D02
- Vlatka Horvat,
- Florian Roithmayr
Oct 4 – 7, 2018
Booth 15
Ambika P3
University of Westminster,
35 Marylebone Road, London
NW1 5LS
Renata Fabbri is delighted to announce that the artist has been chosen to create a project for the Croatian pavilion at the Sixtieth Venice Biennale, to take place April 20 to November 24, 2024.
