- Jeanine Brito,
- Linda Carrara,
- Lulù Nuti
There is water sleeping at the bottom of each memory
For its opening, Sotto presents There is water sleeping at the bottom of each memory, a project that assembles the research of three artists: Jeanine Brito (1993), Linda Carrara(1984) and Lulù Nuti (1988). In the exhibition, which takes place at the lower floor of Renata Fabbri’s, there is a selection of paintings and sculptures that explore the act of diving – in the intimacy of memories, in the matter that constructs the world, in the places we live in- hinting to the depth of the contest in which the artworks are exposed.
Gaston Bachelard in L’eau et les rêves (1942) – essay that inspires the title of this exhibition- writes that “to dream deeply, one must dream with matter”. The philosopher used these words to indicate the moment when imagination transforms the matter of a natural element – water in this case – in the free matter of dreams and artistic creation. By comparing the different expressive language of the three artists, this exhibition aims to highlight the common purpose of holding back and giving form to this silent and fleeting variation, through the artistic gesture. By transporting us into the depth of our subconscious, into the womb of terrestrial globe, or in the recesses of physical and mental landscapes, the exhibited artworks examine the liquid and oniric nature of thoughts, in an intense dialogue made of visual affinities and conceptual references.
For its opening, Sotto presents There is water sleeping at the bottom of each memory, a project that assembles the research of three artists: Jeanine Brito (1993), Linda Carrara(1984) and Lulù Nuti (1988). In the exhibition, which takes place at the lower floor of Renata Fabbri’s, there is a selection of paintings and sculptures that explore the act of diving – in the intimacy of memories, in the matter that constructs the world, in the places we live in- hinting to the depth of the contest in which the artworks are exposed.
Gaston Bachelard in L’eau et les rêves (1942) – essay that inspires the title of this exhibition- writes that “to dream deeply, one must dream with matter”. The philosopher used these words to indicate the moment when imagination transforms the matter of a natural element – water in this case – in the free matter of dreams and artistic creation. By comparing the different expressive language of the three artists, this exhibition aims to highlight the common purpose of holding back and giving form to this silent and fleeting variation, through the artistic gesture. By transporting us into the depth of our subconscious, into the womb of terrestrial globe, or in the recesses of physical and mental landscapes, the exhibited artworks examine the liquid and oniric nature of thoughts, in an intense dialogue made of visual affinities and conceptual references.
- Linda Carrara, l’Adda, 2022Oil on linen applied on wood, 13x18 cm. Ph. Alberto Fanelli.
- Linda Carrara, La prima passeggiata, 2021Oil on canvas, 54x78 cm (each). Ph. Alberto Fanelli.
- Linda Carrara, La prima passeggiata, 2021Oil on canvas, 54x78 cm. Ph. Alberto Fanelli.
- Jeanine Brito, Summer roses after rain, 2022Acrylic on canvas, 122x91,4 cm. Ph. Alberto Fanelli
- Lulù Nuti, DIVISO 4, 2021Concrete, pigments, 22,5x45,5x22, 5 cm (each);
(in the background: Linda Carrara, l’Adda, 2022). Ph. Alberto Fanelli. - Jeanine Brito, Communion, 2022Acrylic on canvas, 152,4x122 cm. Ph. Alberto Fanelli.

- Sarah Fripon

- Edoardo Manzoni

- Lulù Nuti
Palazzo Collicola, Spoleto (PG)
June 6 – Oct 16, 2023
Curated by Saverio Verini

- Sophie Ko,
- Serena Vestrucci,
- Lulù Nuti
Feb 3-5, 2023
Main Section
Pav. 25 – Booth B27

- Sophie Ko,
- Matthieu Haberard,
- Lulù Nuti
Nov 4-6, 2022
Main Section
Hall Red – Booth 11

Renata Fabbri is delighted to announce that the artist has been chosen to create a project for the Croatian pavilion at the Sixtieth Venice Biennale, to take place April 20 to November 24, 2024.