T-Yong Chung
T-Yong Chung (Tae-gu, South Korea, 1977) lives and works in Milan. Classicism, Arte Povera and minimalism are three elements that keep returning in his sculptural and installation work, where the tension between the fullness of Western culture and the essentiality of Eastern culture create a full formal balance. The artist uses waste materials, such as antique chairs, rusty tools and pieces of sheet metal, that he dismantles and reassembles, smooths and polishes, giving them a new identity, with a permanent link to the dignity of their past. He is famous for his sculptures depicting human faces, made of plaster, ceramics, resin, wax and bronze. He draws inspiration from Greek and Roman classicism, but also from contemporary figures of European culture, that are relevant in his day-to-day life. His sculpture busts are characterized by a clean cut that is handmade and then refined and this creates an abstraction and they evoke an idea of absence, an uninterrupted presence. Through this process of subtraction and cancellation- gestures that evoke generative acts in the eastern culture- the artworks reveal their essence in the research of different perspectives, different spaces, different identities.
T-Yong Chung graduated in Environmental Sculpture at the University of Seoul and then he graduated in Sculpture at the Academy of Fine Arts of Brera. From 2007 to today his works have been presented in different personal exhibitions in Florence, Bologna, Milan and Naples and in collective exhibitions in important spaces such as Careof, Milan; Galleria Comunale d’Arte Contemporanea of Monfalcone; Galleria Civica d’Arte Contemporanea in Trento, Neon/fdv, Milan and Bologna, but also in Tokyo and Seoul. He took part in many artistic residency and workshops such as Museo Carlo Zauli in Faenza and Fondazione Bevilacqua La Masa in Venice.
T-Yong Chung (Tae-gu, South Korea, 1977) lives and works in Milan. Classicism, Arte Povera and minimalism are three elements that keep returning in his sculptural and installation work, where the tension between the fullness of Western culture and the essentiality of Eastern culture create a full formal balance. The artist uses waste materials, such as antique chairs, rusty tools and pieces of sheet metal, that he dismantles and reassembles, smooths and polishes, giving them a new identity, with a permanent link to the dignity of their past. He is famous for his sculptures depicting human faces, made of plaster, ceramics, resin, wax and bronze. He draws inspiration from Greek and Roman classicism, but also from contemporary figures of European culture, that are relevant in his day-to-day life. His sculpture busts are characterized by a clean cut that is handmade and then refined and this creates an abstraction and they evoke an idea of absence, an uninterrupted presence. Through this process of subtraction and cancellation- gestures that evoke generative acts in the eastern culture- the artworks reveal their essence in the research of different perspectives, different spaces, different identities.
T-Yong Chung graduated in Environmental Sculpture at the University of Seoul and then he graduated in Sculpture at the Academy of Fine Arts of Brera. From 2007 to today his works have been presented in different personal exhibitions in Florence, Bologna, Milan and Naples and in collective exhibitions in important spaces such as Careof, Milan; Galleria Comunale d’Arte Contemporanea of Monfalcone; Galleria Civica d’Arte Contemporanea in Trento, Neon/fdv, Milan and Bologna, but also in Tokyo and Seoul. He took part in many artistic residency and workshops such as Museo Carlo Zauli in Faenza and Fondazione Bevilacqua La Masa in Venice.

T-Yong Chung, Contact 2 (Installation), 2018Printmaking on fabric, 30x60x230 cm
T-Yong Chung, Contact (Pieve di Cadore), 2018Printmaking on fabric, 160x106x230 cm
T-Yong Chung, Maschera greca, 2019Resin, 33 cm (h)
T-Yong Chung, Contact (vasi), 2019Printmaking, 52×72 cm
T-Yong Chung, Marcello (Maschera), 2019Resin, 28 cm (h)
T-Yong Chung, Joo Klm, 2018Wax, cm 40 (h)
T-Yong Chung, Joo KIm, 2018Bronze, cm 40 (h)
T-Yong Chung, Maschera greca, 2019Resin, 33 cm (h)
T-Yong Chung, Joo Kim (BG), 2020Bronze, 40 cm (h), (140 cm, overall)
T-Yong Chung, Trace 16 (B), 2020Bronze, 43 cm (h) (143 cm with base)
T-Yong Chung, Trace 4 (with base), 2020Plaster, brass, concrete, 32 cm (h) (76 cm with base)
T-Yong Chung, John Keats, 2019Bronze (Portrait), 25x25x43 cm
- T-Yong Chung
- T-Yong Chung,
- Andrea Martinucci,
- Florian Roithmayr
October 11-13, 2019
Pav. 12 – Booth SC7
- Serena Vestrucci
The work Abbronzatissimi (2023) is now part of the permanent collection of the Santa Maria della Scala Museum in Siena
- Sophie Ko
Scuderie e Parco del Castello di Miramare, Trieste
December 6 2024 – November 9 2025
Curated by Melania Rossi
- Giovanni Kronenberg
Curated by the Curatorial Collective of students from the Luiss Business School
COSMO Trastevere, Rome
Piazza di Sant’Apollonia, 13
December 18, 2024 – January 15, 2025
Opening December 18, 7.30 pm – 22.30 pm







































