Eva Marisaldi
Eva Marisaldi was born in Bologna in 1966, where she currently lives and works. Right from her debut she attracted the attention of critics for her research along the lines of a subtle and disenchanted intellectual game, developed among the weaves work that is multifaceted in terms of choice of language and of the various media utilized. She moved from drawing to video, from installation to photography and sculpture. Eva Marisaldi sets out each time from the environmental datum in order to construct a path structured on the physical and/or linguistic plane, building up exhibitions in which the artist seems to want to accompany spectators in observation of the work, suggesting choices or contrarily limiting them with obstacles. In this way the theme of the ways in which power operates, the dichotomy of freedom and obligation, the ineluctability of the choice and analysis of social and civic repercussions which all this involves, are transposed from the content plane to the formal plane of the work. With the evolution of her artistic research, Eva Marisaldi has passed on to populating her environments with characters who are no longer solely spectators but her own creations, witnesses of a blocked gestuality and deluded volitions. Though deprived of enchantment, the works of Eva Marisaldi bear witness to an artistic gesture that triggers romanticism, not of a sentimentalist drift but of those forms of constructive cynicism that can make us look at the real without taking it for granted.
Some of the exhibitions she took part in are: Galleria Massimo Minini, Brescia, IT (2020); Kunsthalle, Wien, AT; Estorick Collection, London, GB (2019); MAMBO, Bologna, IT (2018); Center for Contemporary Art Prishtina, Kosovo, XK (2014); Fondazione Sandretto, Turin, IT (2013); MIMA, Middlesbrough, Newcastle, UK (2012); Triennale di Milano, IT (2006); Galerie Meert – Rihoux, Bruxelles, BE (2005); Art unlimited, Athens, GR; Galleria Massimo Minini, Brescia, IT (2004).
Eva Marisaldi was born in Bologna in 1966, where she currently lives and works. Right from her debut she attracted the attention of critics for her research along the lines of a subtle and disenchanted intellectual game, developed among the weaves work that is multifaceted in terms of choice of language and of the various media utilized. She moved from drawing to video, from installation to photography and sculpture. Eva Marisaldi sets out each time from the environmental datum in order to construct a path structured on the physical and/or linguistic plane, building up exhibitions in which the artist seems to want to accompany spectators in observation of the work, suggesting choices or contrarily limiting them with obstacles. In this way the theme of the ways in which power operates, the dichotomy of freedom and obligation, the ineluctability of the choice and analysis of social and civic repercussions which all this involves, are transposed from the content plane to the formal plane of the work. With the evolution of her artistic research, Eva Marisaldi has passed on to populating her environments with characters who are no longer solely spectators but her own creations, witnesses of a blocked gestuality and deluded volitions. Though deprived of enchantment, the works of Eva Marisaldi bear witness to an artistic gesture that triggers romanticism, not of a sentimentalist drift but of those forms of constructive cynicism that can make us look at the real without taking it for granted.
Some of the exhibitions she took part in are: Galleria Massimo Minini, Brescia, IT (2020); Kunsthalle, Wien, AT; Estorick Collection, London, GB (2019); MAMBO, Bologna, IT (2018); Center for Contemporary Art Prishtina, Kosovo, XK (2014); Fondazione Sandretto, Turin, IT (2013); MIMA, Middlesbrough, Newcastle, UK (2012); Triennale di Milano, IT (2006); Galerie Meert – Rihoux, Bruxelles, BE (2005); Art unlimited, Athens, GR; Galleria Massimo Minini, Brescia, IT (2004).

- Serena Vestrucci
The work Abbronzatissimi (2023) is now part of the permanent collection of the Santa Maria della Scala Museum in Siena
- Sophie Ko
Scuderie e Parco del Castello di Miramare, Trieste
December 6 2024 – November 9 2025
Curated by Melania Rossi
- Giovanni Kronenberg
Curated by the Curatorial Collective of students from the Luiss Business School
COSMO Trastevere, Rome
Piazza di Sant’Apollonia, 13
December 18, 2024 – January 15, 2025
Opening December 18, 7.30 pm – 22.30 pm
- Giovanni Kronenberg
Palazzo Collicola, Spoleto
December 14 – February 23, 2024
Opening Saturday December 14, h. 11.30
Curated by Saverio Verini