Florian Roithmayr (The humility of plaster), Museum of Classical Archaeology, Cambridge
Florian Roithmayr (The humility of plaster), Kettle’s Yard, Cambridge
Florian Roithmayr (The humility of plaster), HS Projects, London
Florian Roithmayr (The humility of plaster), Galeria Renata Fabbri, Milan, Italy

ir re par sur, Bloomberg Space, London
breath rider (performance), Camden Arts Centre, London

with, and, or, without, Camden Arts Centre, London
Service, MOT International, Brussels, Belgium

Matter of Engagement, Site Gallery, Sheffield

Florian Roithmayr, Treignac Projet, Treignac, France
Assault, The Schtip, Sheffield
The Y, Rowing Projects, London

Like Plugging In, MOT International, London

You want to borrow my shades, don’t complain about their tint, MOT International, London

Florian Roithmayr, The Russian Club Gallery, London

Eventually Everything Happens, Galerie Neue Alte Brücke, Frankfurt, Germany
Go I Know Not Whither And Fetch I Know Not What, Galerie Miroslav Kraljevich, Zagreb, Croatia

Treasure Hunt, Ateneum Finnish National Art Museum and Taidehalli Art Centre, Helsinki, Finland

Solar Dreams, SC Galleria, Zagreb, Croatia


A strange wave of time and space, Site Gallery Project Space, Sheffield, England
On Demand Section, Miart 2019, Galleria Renata Fabbri Arte Contemporanea, Milan, Italy Simply Untitled, ISORROPIA Home Gallery, Milan
El Kurru, Kelsey Museum of Archaeology, University of Michigan, USA

Kaleidoscope – A Decade Of New Art, Saatchi Gallery, London

Home is not a place, Embassy of Germany, London
They call us the Screamers, TULCA – Galway International Arts Festival, Republic of Ireland

Bauhaus & Around, Galerie Nicolas Silin, Paris, France
Inland Far, Herbert Read Gallery, Canterbury
Foreign Objects, CCA Derry/Londonderry, Northern Ireland
Summer Exhibition, Royal Academy of Art, London

Things that Tumble Twice, Tenderpixels, London
Mostra, British School in Rome, Rome, Italy

Proprioception, Laure Genillard Gallery, London
Hey I’m Mr. Poetic, Wysing Art Center, Cambridge
The Influence of Furniture on Love, Wysing Art Center, Cambridge

£5.34, Carl Freedman Gallery, London
O Chair / O Flesh, Treignac Projet, Treignac, France
Burg, Laure Genillard Gallery, London

I Don’t Feel Like It: The Indifference Of Objects, Camberwell College Of Art, London
Solid on our Source Planet, Wysing Art Center, Cambridge
AHF at V22 Gallery, London
Centrefold 8: The Circle of Manias, 176 Zubladowicz Collection, London

fifteen, S1 Artspace, Sheffield

2010, MOT International, London
Bold Tendencies IV, Hannah Barry Gallery, London
Continuous movement of idea, Galerie Nicolas Silin, Paris, France
Something Blue, Pilot issue, Galerie Neue Alte Brücke at Archive Kabinett, Berlin, Germany
Something Blue, Landings Project Space, Oslo,

The young visitors to ruins do not see anything but a style, Galeria d’Arte Moderna, Turin, Italy
What is not but could be if, part II, Galerie Neue Alte Brücke, Frankfurt
What is not but could be if, Galerie Neue Alte Brücke at Caribic Residency, Frankfurt

Kalender, Kornhäuschen Aschaffenburg
Under:Construction, SC Gallery, Zagreb
Feeling gave way to structure, The Approach Gallery, London
Salon of Revolution, House of the Artist, Zagreb

Slimvolume, Hotel Gallery, London, UK and Neue Alte Brücke, Frankfurt
Electro Harmonix, The Black Mariah, Cork
Eventually everything happens, Galerie Neue Alte Brucke, Frankfurt
Die Blaue Blume, Grazer Kunstverein, Graz
Auktion, Neuer Aachener Kunstverein, Aachen
When something becomes nothing, S1 ArtSpace, Sheffield
Ice Trade, Chelsea Space, Chelsea School of Art, London
Aspen 11, Galerie Neue Alte Brücke, Frankfurt

New Contemporaries, Liverpool Biennial, Liverpool and La Rochelle School, London
Toyama X, Tokyo, Japan
The Galleries Show, Extra Cities, Antwerp, Belgium
Glass Bead Game, Vilma Gold Gallery, Berlin, Germany

LUX.US 2005, Städtische Galerie Lüdenscheid


Roithmayr, Florian. Aftercast. Tenderbooks, London (2018). Designed by Sara De Bondt Studios. 186 page
Roithmayr, Florian. With, and or, without. Camden Arts Centre, London, 2015. 18 pages.
Roithmayr, Florian. ‘Arrival of the new planet’, in Grammel, Søren (ed.) The Symbolic Commissioner. Berlin: Sternberg Press, 2011. 224 pages.
Roithmayr, Florian. ‘Time is different for some forms’, in Nunez-Fernandez, Lupe (ed.) The Shape Of Things To Come. London: Phaidon Press, 2011. 116 pages.
Roithmayr, Florian. ‘Time is different for some forms’, in Vermoortel, Pieternel (ed.) The young people visiting our ruins see nothing but a style. Turin: GAM, 2010.


2016-2022: Chelsea embankment, Public Art commission in collaboration with architects
Hawkins & Brown, London Port Authority, Royal Borough of Kensington and Chelsea
2015 – ongoing: WESTEND GREEN, commissioned by Modus Operandi, and Gillespies
2012-2013: Luehn Bau, Lingen, Germany
2014: Luehnbau GmgH, Lingen, Germany. Integrated outdoor sculpture commission.
2011-2013: Luehnbau GmbH, Lingen, Germany. Integrated outdoor sculpture commission.
2011: Bold Tendencies, London. Outdoor sculpture commission.


Jonathan Jones, Five of the Best, The Guardian, Saturday 03 September 2016
Luke Naessens, Florian Roithmayr: with, and, or, without. This Is Tomorrow, 23 February 2016
The Guide, The Guardian, Pick of the Week, 16th January 2016
Robert Barry, Performing Sculpture, The Quietus, 12 Decmber 2015
Chris Fite-Wassilak, O Chair, O Flesh, Frieze Magazine, No. 158, October 2013
Morgan Quaintance, Four Summer Shows, Frieze Magazine, No. 158, October 2013
J.J. Charlesworth, £5.34, ArtReview, October 2013
Mike Abbott, Absolutely Massive: contemporary art in rural France, The Guardian, 20 September 2013
Beth Bramich, Convention T Interview, This Is Tomorrow, May 2013
Tom Morton, Florian Roithmayr at MOTInternational, Frieze Magazine, No. 148, June 2012
Rachel Spence, London Fair, Financial Times, London, 13 October 2011
Rachel Bennett, FAD art interviews, October 2011
Michael Polsinelli, Neue Alte Brücke, Flash Art, March-April 2008
Ruby Sircar, Der Süsse Schmerz der Herbstzeitlose, DÉRIVE – Nr.30 – March 2008
Jan Verwoert, Blaue Blume – Biennials, Surveys and Retrospectives, Frieze Magazine Issue 112
Goschka Gawlink, Die Blaue Blume, Spike Art Quaterly, Berlin/Wien, Nr. 14 – Winter 2007
Amanda Coulson Florian Roithmayr, Frieze Magazine, October 2007
Ulrich Schulze, Florian Roithmayr – Die Rückkehr der Helden Frankfurter Allgemeine Zeitung, 22.11.2007, Nr. 272
Marko Golub, Sam Dowd i Florian Roithmayr u Galeriji Miroslav Kraljevich, Dnevni Kulturni Info
David Shariatmadari, Ice Trade, Frieze Magazine, Issue 106
Iphgenia Baal, Florian Roithmayr – New Contemporaries, BBC collective, June 2006
Maija Aalto, Treasure Hunt, Helsingin Sanomat, April 2006